Or what have you been doing!? Lol
New improved You Tube thread.
28-03-13, 03:47 PM
#768
That brunette has THE BEST set of tits. I do like all of them though but for me she's me pick.
28-03-13, 04:12 PM
#769
WOW. wasn't expecting that. as much as i love a woman's naked body, i think it made me realize that a dancing naked woman just isn't too attractive. wait. did i just say that? maybe it's because they are tall, slanky super model-like and wearing JS-esque stupid looking shoes and and only one is decent looking. idk. kind of a like a bboy wearing tight skinny jeans. just doesn't look right. guess i should watch again to rethink it... or two more times...or even 3 or 4 
29-03-13, 01:26 AM
#771
7:40 Minutes of Emily Ratajkowski from the video:
http://www.dumpert.nl/mediabase/6535100/...tijd_.html
http://www.dumpert.nl/mediabase/6535100/...tijd_.html
29-03-13, 10:55 AM
#772
01-04-13, 10:07 PM
#775
01-04-13, 10:28 PM
#776
Can't fool me, Ben. I saw it, live. I couldn't close your YouTube page fast enough.
02-04-13, 12:57 PM
#778
We were rooting for the other team (Duke), which is the college that my wife went to. I knew that it was over for them once this happened. It's almost impossible to defend against the, "Win this one for me, fellas, because I just suffered this grotesque, career ending, injury" offense.
02-04-13, 04:43 PM
#779
i'm with you Tif... Duke had no chance at that point. maybe, if it happened in the 2nd half.
14-04-13, 06:48 AM
#780
Looking forward to this...
Except for a snippet of "an Australian rock record" that opens the final track, "Contact," Daft Punk foreswore samples entirely, and they limited the role of drum machines to just two of the album’s thirteen tracks. The only electronics come in the form of a massive, custom-built modular synthesizer that Daft Punk played live on the album, they told me, and an arsenal of vintage vocoders on which they manually manipulated factors like pitch, vibrato and legato. "There’s this thing today where the recorded human voice is processed to try to feel robotic," Thomas says, referring to the undying AutoTune vogue. "Here, we were trying to make robotic voices sound the most human they’ve ever sounded, in terms of expressivity and emotion."
Except for a snippet of "an Australian rock record" that opens the final track, "Contact," Daft Punk foreswore samples entirely, and they limited the role of drum machines to just two of the album’s thirteen tracks. The only electronics come in the form of a massive, custom-built modular synthesizer that Daft Punk played live on the album, they told me, and an arsenal of vintage vocoders on which they manually manipulated factors like pitch, vibrato and legato. "There’s this thing today where the recorded human voice is processed to try to feel robotic," Thomas says, referring to the undying AutoTune vogue. "Here, we were trying to make robotic voices sound the most human they’ve ever sounded, in terms of expressivity and emotion."
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